{"id":125,"date":"2025-09-17T20:28:57","date_gmt":"2025-09-17T20:28:57","guid":{"rendered":"https:\/\/eleonorafisco.it\/?p=125"},"modified":"2026-01-22T22:38:00","modified_gmt":"2026-01-22T21:38:00","slug":"performance-poetry-of-the-2000s-poetry-slam-spoken-word-and-spoken-music-in-italy","status":"publish","type":"post","link":"https:\/\/eleonorafisco.it\/en\/phd-research\/performance-poetry-of-the-2000s-poetry-slam-spoken-word-and-spoken-music-in-italy\/","title":{"rendered":"Performance Poetry of the 2000s: Trans-autorship and Trans-mediality in the Italian Spoken Word Poetry"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; inverted_device_order=&#8221;yes&#8221; content_parallax=&#8221;0&#8243; uncode_shortcode_id=&#8221;235949&#8243;][vc_column width=&#8221;1\/4&#8243;][vc_column_text text_lead=&#8221;small&#8221; uncode_shortcode_id=&#8221;633327&#8243;]<span style=\"font-weight: 400;\">\u201cPerformance Poetry in the 2000s: Trans-Authoriality and Transmediality of Spoken Word Poetry in Italy\u201d (\u201cLa poesia performativa degli anni 2000. Trans-autorialit\u00e0 e trans-medialit\u00e0 della Spoken Word Poetry in Italia\u201d)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Universit\u00e0 dell\u2019Aquila &amp; Universit\u00e9 de Lausanne (CH)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Directors: Serena Guarracino (Universit\u00e0 dell\u2019Aquila); Camille Vorger (Universit\u00e9 de Lausanne)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Co-director: Massimo Fusillo (Scuola Normale Superiore &#8211; Pisa)<\/span>[\/vc_column_text][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text uncode_shortcode_id=&#8221;170019&#8243;]<\/p>\n<h2><span style=\"font-weight: 400;\">Abstract<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">This doctoral project aims to map the Italian contemporary slam and spoken word poetry scene (2001\u20132025), situating it in comparison with international contexts. The study is guided by three principal analytical questions: What is performative poetry? How can it be studied? And how is it published?\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The research focuses on the different modes of publication\u2014live performance, print, and digital formats\u2014and seeks to contribute to the historicization of these oral works, often ephemeral and at risk of being forgotten.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Moreover, the project proposes a methodological framework grounded in interdisciplinary approaches, including performance studies, the sociology of literature, and practice-based research. Through an autoethnographic perspective, it examines trans-authorial and transmedial creative practices, encompassing collective composition, collaboration with AI, and audience participation. The study also addresses the challenges of canonization and archiving of these ephemeral, popular, and countercultural artistic forms, highlighting the political and ethical engagement of the artists involved.<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>A study of Italy\u2019s poetry slam and spoken word arts, mapping distribution methods and analyzing 2000s performative poets within key performance frameworks.<\/p>\n","protected":false},"author":1,"featured_media":422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-phd-research"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Performance Poetry of the 2000s: 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